Compositions (selection)<\/p>\n
Autonomous:<\/p>\n
Vier preludes voor piano<\/strong> (2011) In opdracht:<\/p>\n Re:Birth<\/strong> (2009), music for an art exhibition by Hans Mateboer (NL) Compositions (selection) Autonomous: Vier preludes voor piano (2011) Morning after shipwreck (2011) for piano Sculptuur van zand, water en herinnering (2011), electronic composition using field recordingd The Long Way Round (2012), field recordings from Australia and New Zealand Stoffen in de gang (2013), sonic landscape for 24 speakers Portret van een vriendschap (2013), electronic compostion […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1681","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.harroldroeland.nl\/index.php?rest_route=\/wp\/v2\/pages\/1681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.harroldroeland.nl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.harroldroeland.nl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.harroldroeland.nl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.harroldroeland.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1681"}],"version-history":[{"count":7,"href":"https:\/\/www.harroldroeland.nl\/index.php?rest_route=\/wp\/v2\/pages\/1681\/revisions"}],"predecessor-version":[{"id":2765,"href":"https:\/\/www.harroldroeland.nl\/index.php?rest_route=\/wp\/v2\/pages\/1681\/revisions\/2765"}],"wp:attachment":[{"href":"https:\/\/www.harroldroeland.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nMorning after shipwreck<\/strong> (2011) for piano
\nSculptuur van zand, water en herinnering<\/strong><\/a> (2011), electronic composition using field recordingd
\nThe Long Way Round<\/a> <\/strong>(2012), field recordings from Australia and New Zealand
\nStoffen in de gang<\/strong><\/a> (2013), sonic landscape for 24 speakers
\nPortret van een vriendschap<\/strong><\/a> (2013), electronic compostion
\nGenerative landscapes 1<\/strong><\/a> (2013), two landscapes for two speakers using synthesizers and field recordings
\nStadsplaten<\/strong><\/a> (2013), electronic composition in a landscape built out of vinyl record sounds
\nZilverschilfers<\/strong> (2014) for choir, debuted by koor Neon<\/a>
\nNullarbor<\/strong> (2014) for eight speakers, didgeridoo and four bullroarers. Debuted at Nicolai church, Utrecht
\nKom<\/strong> (2014), songs mixed with sonic landscapes
\nGenerative Landscape, Paris 7-1-2015<\/strong><\/a> (2015), generative landscape built exclusively from sounds from the 2015 Paris attacks
\nThy Eternal Summer<\/strong> (2016) for six voices
\nE.A.D.<\/strong><\/a> (2020), landscapes built with didgeridoo and electronics
\nFlorian<\/a> <\/strong>(2020), In Memoriam built from Kraftwerk records
\nIn Crisp Air<\/strong><\/a> (2020), for electronics and delay. Based on a rediscoverd tape
\nVia Aquilonis I: Utrecht<\/strong><\/a> (2020) Part of an ongoing series of compositions built from field recordings made on the Utrecht-Troms\u00f8 route
\nNachtlied voor Josha<\/strong><\/a> (2021) Three versions of an electronic lullaby
\nThe Bad News Phone Call on Christmas Eve<\/a> & Sleep in Heavenly Peace<\/a><\/strong> (2023) Requiem built using Max\/MSP, tapeloops and old records
\nThe Epiphany at Gamla Kyrkog\u00e5rden <\/strong>(2024), from Malm\u00f6 field recordings
\nBackyard Ritual<\/strong> (2025), electronic overtone composition
\nFestiom Omnium Animarum<\/strong> (2025), composition for All Saint’s Day
\n Continuous Void<\/a><\/strong> (2025), a year mix of compositions made on the Prone to Resonance Found Sounds Broadcast, for the last days of the year
\nVia Aquilonis II: Bremen<\/strong> (2026), forthcoming<\/p>\n
\nRosa, zusje van Anna<\/strong><\/a> (2012), short film, directed by Janet van den Brand (NL\/BE) (co-composition with Colin van der Lei)<\/em>
\nNdikosele<\/strong> (2012), documentary, directed by Malcolm Duregger (NL\/ZM) music and sound design.
\nQueer Amsterdam<\/strong> (2012, 2013), pilot, produced by Bart Peters, Dorien Rozing & Marloes Meuzelaar (NL) (co-composition with Guus Eikens and Charlotte Wessels)<\/em>
\nVerstilde stemmen<\/strong> (2013), documentary, directed by Janet van den Brand (NL\/BE)
\n(with Colin van der Lei)<\/em>
\nVier korte stukken voor dansfilm<\/strong> (2014) for Cinedans festival (NL)
\nDomkerk met inhoud<\/strong> (2014), soundscape for four speakers, recreating a local cathedral with art inside, Utrecht University of the Arts
\nRustpunt<\/strong> (2014), soothing soundscape for four\u00a0 speakers, Utrecht University of the Arts
\nVoedselstress<\/strong> (2014), documentary, directed by Suzanne Witteman (NL)
\nHondsdagen<\/strong> (2015), short film, directed by Janet van den Brand (NL\/BE) (soundtrack built entirely out of sound recorded on set)
\nProdrome<\/strong> (2015), short film, directed by Timothy Wennekes (NL\/BE)
\nCeres<\/strong><\/a> (2018), documentary, directed by Janet van den Brand (NL\/BE) Entire soundtrack built out of acoustic overtones and voice, around a medieval hymn. Vocals: Charlotte Wessels and Harrold Roeland
\nWhat Makes Us Boys<\/strong><\/a> (2021), using cassette tapes and synthesizer layers, regie Janet van den Brand (NL\/BE)
\nHet Wonder Daaronder<\/strong> (2025), all music except end titles. Vocals: Myrte Vos.<\/p>\n","protected":false},"excerpt":{"rendered":"